HM: No. The studio never made any particular demands about the music – they were just pleased with the way things were going. Some of the films had to use more old material because my schedule didn’t give me time to write any new music. And of course sometimes the editing got so crazy because of censorship from the MPAA that even though I had written music specifically to fit a scene, sometimes it might have been cut so much that the music editor had to patch it up with cues from an earlier film! I didn’t specifically write music for Friday the 13th Part VII or VIII but I think some of my music got reused in there anyway.
Support the This Is Horror Podcast on Patreon
We offer the This Is Horror Podcast free of charge, but if you think it’s worth $1 per month we’d love you to join our Patreon. You’ll receive Patron perks, too, such as early bird access to all episodes, the ability to submit questions to our guests and even discounts off This Is Horror products.The best way to support This Is Horror is via Patreon.
This Is Horror Books
This Is Horror Books on Kindle Unlimited and Amazon
- The Visible Filth by Nathan Ballingrud
- The Elvis Room by Stephen Graham Jones
- Water For Drowning by Ray Cluley
- Chalk by Pat Cadigan
- Roadkill by Joseph D’Lacey