In this podcast The Outer Dark presents two panels: ‘Rise of Weird Fiction’ at WorldCon 75 (Helsinki, Finland) featuring Helen Marshall (moderator), Siobhan Carroll, Hal Duncan, Shivaun Hoad, Pete Sutton, and ‘The Weird in Weird Fiction’ from Fantasycon 2017 (Peterborough, UK) featuring Phil Sloman (moderator), Stephen Laws, Tim Major, Helen Marshall, Alistair Rennie, Paul Woodward. Also, Helen Marshall joins Scott to introduce and discuss the panels, conventions, and editing Year’s Best Weird Fiction, Vol. 4. The panels were recorded live on Friday August 11 and Sunday October 1.
Introductions & Epilogue
In exclusive new introductory and epilogue segments to both panels (00:00:18 & 00:55:32), author/editor Helen Marshall joins Scott to discuss her perspective on experiencing a truly global WorldCon, Finnish Weird, codifying and not codifying the Weird, New Weird versus new Weird, her current status as Weird ambassador, ‘irrational systems’ and Weird fiction in Franco’s Spain, and the political timeliness of the Weird. Helen also returns after the panels (2:04:57) for closing thoughts including her experience immersed in Weird reading as a Shirley Jackson Awards judge and editing Year’s Best Weird Fiction, Vol. 4 with Michael Kelly (Undertow Publications), her thoughts on The Weird as ‘witness to the World,’ breaking away from the impact of theme anthologies, author names that will be new to readers, grappling with ‘what do we do with the Weird?’, her first novel coming in 2019, and much more.
(00:07:58) The Outer Dark presents ‘Rise of Weird Fiction’, a panel discussion recorded at WorldCon 75 in Helsinki, Finland, moderated by Helen Marshall, and featuring panelists Siobhan Carroll, Hal Duncan, Shivaun Hoad, and Pete Sutton. The discussion focuses on long term trends in Weird fiction including the timeliness of Weird fiction and living in Weird times, definitions and discomfort, Weird as ruptures of logic, Harold Pinter’s The Birthday Party, distinguishing the Weird from the Surreal, where the Weird is now/New vs. ‘modern’ Weird, the danger of too many Lovecraft-related anthologies and need for new Weird tropes, realities shifting underneath us and a new Weird order, Trump as ‘grotesque’, approaching the Weird as a queer author, where the Weird is going, and reading recommendations (see additional links below). This panel took place at 5 p.m. on Friday August 11.
(01:11:50) The episode continues with ‘The Weird in Weird Fiction’, a panel discussion recorded at Fantasycon 2017 (Peterborough, UK) moderated by Phil Sloman and featuring Stephen Laws, Tim Major, Helen Marshall, Alistair Rennie, and Paul Woodward. The conversation explores what ‘Weird fiction’ means to the panelists, whether Weird is entrenched in horror or crosses into other genres, Weirdness in Narnia and Wonderland, changes from yesterday’s to today’s Weird, the ‘lingering past’, Trump and Brexit and the intrusion of strangeness into our daily lives, Weird as a gateway, the subversive nature of the Weird and its role in social commentary, comedy and light Weirdness, ‘awe’ as essential to the Weird, and many reading recommendations (see additional links below). This panel took place at 11:30 a.m. on Sunday October 1. Thank you to Alistair Rennie for the recording.
Please subscribe to The Outer Dark podcast RSS Feed
Subscribe via iTunes
Listen to The Outer Dark via iTunes
Subscribe via Blubrry
Listen via Stitcher
Host/Executive Producer: Scott Nicolay
Co-Host, News From the Weird: Justin Steele
Associate Producer/Show Notes: Anya Martin
Logo Design: Nick “The Hat” Gucker
Music: Michael Griffin
Support This Is Horror Podcast on Patreon
- For $1 you get early bird access to all our podcasts and can submit questions to guests.
- For $3 you get access to our patrons-only podcast Story Unboxed: The Horror Podcast on the Craft of Writing.
- For $4 you get the full interview, no two-parters.
The best way to support This Is Horror is via Patreon. How much will you pledge? Go on. Be awesome.
This Is Horror Books
This Is Horror Books on Kindle Unlimited and Amazon
- They Don’t Come Home Anymore by T.E. Grau
- A House at the Bottom of a Lake by Josh Malerman
- The Visible Filth by Nathan Ballingrud
- The Elvis Room by Stephen Graham Jones
- Water For Drowning by Ray Cluley
- Chalk by Pat Cadigan
- Roadkill by Joseph D’Lacey