When your film opens with a shot of New York being obliterated by nuclear bombs, as The Divide chooses to do, then you’d better have a doozy of a movie to follow it. Unfortunately, Xavier Gens – who directed both the brutal Frontier(s) and the poorly received videogame adaption Hitman – can’t keep the epic feel running beyond that opening scene.
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This Is Horror Books
This Is Horror Books on Kindle Unlimited and Amazon
- They Don’t Come Home Anymore by T.E. Grau
- A House at the Bottom of a Lake by Josh Malerman
- The Visible Filth by Nathan Ballingrud
- The Elvis Room by Stephen Graham Jones
- Water For Drowning by Ray Cluley
- Chalk by Pat Cadigan
- Roadkill by Joseph D’Lacey