5 Must Read Horror Articles 19 Jun 2017

Welcome to Must Read Horror, where we search the internet for the best horror articles of the week so you don’t have to. Without further ado: 1980s New Wave Songs Reimagined As Stephen King Book Covers The Joy Of Jason: Why Friday The 13th The Game Is So Much Fun Interview With Leo Hunt Writer’s …

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News Round-up Week Ending 16 June 2017

No Mercy

Here’s a small selection of the horror and genre news that caught our eye during the last week … Poetry collection No Mercy by Alessandro Manzetti coming soon from Crystal Lake From Crystal Lake Publishing comes the intensely dark new poetry collection, No Mercy. Not content with winning the Bram Stoker award for his prose, Manzetti has …

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Permanent link to this article: https://www.thisishorror.co.uk/news-round-up-week-ending-16-june-2017/

Injured Eyeballs 35: To Boldly Go Where No Bloch Has Gone Before

Robert Bloch

The Star Trek Scripts of Robert Bloch April was the centenary of the birth of one of horror’s most important, and often underrated, writers–the much loved Robert Bloch. Although I’m two months late in celebrating this momentous date in the horror calendar, I still thought I ought to do something to mark the occasion. Bloch’s …

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Permanent link to this article: https://www.thisishorror.co.uk/injured-eyeballs-35-to-boldly-go-where-no-bloch-has-gone-before/

TIH 151: Philip Fracassi on Horror as Escapism, Hollywood Screenwriting, and Literary vs. Genre Fiction

TIH 151 Philip Fracassi on Horror as Escapism, Hollywood Screenwriting, and Literary vs. Genre Fiction

In this podcast Philip Fracassi talks about horror as escapism, Hollywood screenwriting, literary fiction, and much more. About Philip Fracassi Philip Fracassi, an author and screenwriter, lives in Los Angeles. His brand-new collection of stories, Behold The Void, was published by JournalStone on March 10, 2017. He has a novella, Fragile Dreams, that was released in …

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Permanent link to this article: https://www.thisishorror.co.uk/tih-151-philip-fracassi-on-horror-as-escapism-hollywood-screenwriting-and-literary-vs-genre-fiction/