I have often talked about what being an editor and publisher means, mostly in terms of the mechanics involved in the job and the prerequisites needed. A good command of English, an understanding of narrative and how stories work, as well as a huge dollop of good old common sense, are absolute necessities, as are organisational skills and a fair amount of business flair. In addition, there’s a need to keep an ear to the ground, listening out for the buzz of excitement generated by new and exciting writers. But there are other aspects to being both an editor and publisher, irrespective of whether you publish literary or genre material. And this equally applies to writers as well.
Keep on reading…
Support This Is Horror Podcast on Patreon
- For $1 you get early bird access to all our podcasts and can submit questions to guests.
- For $3 you get access to our patrons-only podcast Story Unboxed: The Horror Podcast on the Craft of Writing.
- For $4 you get the full interview, no two-parters.
The best way to support This Is Horror is via Patreon. How much will you pledge? Go on. Be awesome.
Visit our Patreon page and pledge to the This Is Horror Podcast today.
This Is Horror Books
Head on over to the This Is Horror Shop to see the books we have available. We have a special offer on All Four Year One Books—JUST £10!
This Is Horror Books on Kindle Unlimited and Amazon
- They Don’t Come Home Anymore by T.E. Grau
- A House at the Bottom of a Lake by Josh Malerman
- The Visible Filth by Nathan Ballingrud
- The Elvis Room by Stephen Graham Jones
- Water For Drowning by Ray Cluley
- Chalk by Pat Cadigan
- Roadkill by Joseph D’Lacey
Subscribe, Rate and Review on iTunes!
Help the Podcast, spread the word: subscribe, rate and review on iTunes UK, iTunes US or your country’s iTunes.
Amazon Affiliates
Support us by shopping through our Amazon Affiliate links: Amazon UK and Amazon US.
