Since the mid-1990s, Scandinavian fiction has enjoyed an unprecedented upsurge in popularity. Writers like Jo Nesbø and Camilla Läckberg have ridden the so-called Nordic Noir crimewave in the wake of Henning Mankell’s ‘Wallander’ novels and Stieg Larsson’s extraordinary ‘Millennium’ trilogy, gathering huge international sales, critical acclaim and large budget film adaptations. TV series like Wallander, The Killing, The Bridge and Sebastian Bergman have also satisfied a hitherto-unforeseen public craving for Scandinavian crime on both page and screen that shows no signs of abating.
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