Writers of great horror don’t hold back when it comes to subject matter: nothing is off limits. Their stories go places that make readers shudder, sweat, squirm. Settings may be familiar, but somehow they are also warped. ‘Natural’ elements are inevitably of the ‘un’ or ‘super’ variety. Plots are designed to unnerve. In horror, the depths of the human psyche are dredged; dark secrets, dark fears, dark realities are unearthed, then strewn in black ink across paper. And when the tale is told, the last page turned, the best authors will leave us hoping never to meet anyone, in real life, as disturbed as the characters they’ve created. We like to pretend that such people live out there, somewhere else – that they’ll always be anonymous strangers.
Support This Is Horror Podcast on Patreon
- For $1 you get early bird access to all our podcasts and can submit questions to guests.
- For $3 you get access to our patrons-only podcast Story Unboxed: The Horror Podcast on the Craft of Writing.
- For $4 you get the full interview, no two-parters.
The best way to support This Is Horror is via Patreon. How much will you pledge? Go on. Be awesome.
This Is Horror Books
This Is Horror Books on Kindle Unlimited and Amazon
- They Don’t Come Home Anymore by T.E. Grau
- A House at the Bottom of a Lake by Josh Malerman
- The Visible Filth by Nathan Ballingrud
- The Elvis Room by Stephen Graham Jones
- Water For Drowning by Ray Cluley
- Chalk by Pat Cadigan
- Roadkill by Joseph D’Lacey