Five Things Secret Cinema Presents 28 Days Later Got Right
Having now been something of a cult event for a number of years, Secret Cinema was initially propelled into the mainstream a couple of years ago with their hugely ambitious production of Back to the Future which, despite a few teething problems, was universally praised. Last year they followed it up with a second large scale endeavour in the form of The Empire Strikes Back which was equally well received, cementing their reputation as purveyors of the ultimate cinema experience.
This year sees them breaking new ground again in London by taking the plunge into the world of horror with Danny Boyle’s 2002 not zombie film 28 Days Later, and This Is Horror got the chance to attend this spectacular to see just how infectious it was. Given the nature of Secret Cinema, we can’t really divulge too many details or surprises, but suffice to say we were very impressed, and can reveal five things that Secret Cinema got right with their production.
The Choice of Film
For Secret Cinema’s first foray into horror, they couldn’t really have chosen a better film. Whereas their previous large scale productions—Back To The Future and The Empire Strikes Back—have had more of a sandbox feel to them, allowing participants to largely roam at their own pace and accord, 28 Days Later is more of a linear experience and works brilliantly for it.
Whether future horror endeavours could recreate the sandbox experience effectively—perhaps something like Friday 13th, with campers being bumped off and disappearing sporadically—remains to be seen, but the journey from the main gates to the screening room is an exhilarating, exciting and exhausting (both mentally and physically) experience that won’t soon be forgotten by those who have taken part.
For any illusion to be convincing, the location has to be right, and in selecting the secret (naturally) location in east London that has been transformed into the end of the world, Secret Cinema have hit the post-apocalyptic nail square on the head. The huge building looks oppressive from the outside, and the inside has been transformed beyond belief into the best haunted house that London has ever seen.
Razor wire, army vehicles, menacing warning signs, pre-recorded public service announcements—all of these greet us as we arrive (and it doesn’t hurt that it’s raining too, adding to the overall sense of doom and gloom) and instantly immerse us in the world of the zombie apocalypse (yes, yes, they’re not really zombies, but they might as well be) before we’ve even stepped inside.
When Jim wakes up in 28 Days Later he doesn’t quite know what is going on, just that something is not at all right, and stumbles in confusion from one set piece to another before stumbling across a couple of survivors who clue him in on the end of the world.
From the moment we’re ushered into the army processing centre at the Secret Cinema event to be told about this Rage virus that is taking hold of the population, and the treatment that we are going to be undertaking, the actors are nothing less than convincing in recreating the sense of confusion, whether playing confident but ultimately clueless soldiers who are struggling to maintain order among the rising chaos, or caring but confused doctors who are trying to do their best to control the emerging situation, but who are ultimately powerless, as without knowing exactly what they’re dealing with they don’t know how to treat it.
The sets, too, are nothing short of stunning. Incorporating familiar scenes from the film along with other set pieces created especially for this event, the sense of panic and fear is turned up to eleven as we’re guided, often at a run, through a lengthy experience that never quite becomes terrifying but is undoubtedly exhilarating.
The Addition to the Mythology
Much of the chaos and carnage has already happened in the film by the time Jim wakes up in his hospital bed, and we’re given only verbal descriptions of certain events and left to fill in the blanks with our imaginations. What Secret Cinema does, however, is to put us right in the heart of the experience at day one and then propel us at great velocity through the early days of the outbreak. One set piece in particular introduces us to a still sane character that we only encounter post infection in the film, and one particular high rise location that is recreated (not to give too much away) offers up further insight into the days and weeks before the film.
The whole experience of being processed by the army is interesting, too, giving us a look at what was being done to try and curb the initial outbreak, and how the soldiers dealt with ever increasing numbers of people desperate for information and guidance. By effectively filling in some of the gaps like this, the 28 Days Later experience feels even more immersive as we’re not only reliving some of it, but learning more about the end of the world as we know it.
The Screening Itself
Just when you think that Secret Cinema have pulled all of their bloody rabbits from their ruined top hats, the final surprise of the evening involves the way that the film is screened. Rather than showing 28 Days Later in the conventional manner as you might realistically expect, we’re ushered into a large hangar sized room that we can’t possibly describe for fear of ruining your experience should you be lucky enough to go, but suffice to say that if you’re familiar with the opening few minutes of the film then you can probably use your imagination to envisage the set up.
If you’re a fan of 28 Days Later, and you can get yourself to London in the next few weeks, then this Secret Cinema experience is a no-brainer. We have so few horror attractions in the UK that when something like this comes along, it should be embraced and experienced by as many genre fans as possible. One thing is for sure, after experiencing Secret Cinema for the first time with 28 Days Later, there’s no doubt that we’ll be back for more.
Secret Cinema presents 28 Days Later is running until 29 May 2016.
Tickets are available at http://secretcinema.org/tickets/28dayslater
Support This Is Horror Podcast on Patreon
- For $1 you get early bird access to all our podcasts and can submit questions to guests.
- For $3 you get exclusive story craft episodes.
- For $4 you get the full interview, no two-parters.
The best way to support This Is Horror is via Patreon. How much will you pledge? Go on. Be awesome.
This Is Horror Books
This Is Horror Books on Kindle Unlimited and Amazon
- They Don’t Come Home Anymore by T.E. Grau
- A House at the Bottom of a Lake by Josh Malerman
- The Visible Filth by Nathan Ballingrud
- The Elvis Room by Stephen Graham Jones
- Water For Drowning by Ray Cluley
- Chalk by Pat Cadigan
- Roadkill by Joseph D’Lacey
Subscribe, Rate and Review on iTunes!
Want a free horror eBook?
Subscribe for the latest horror news and to find out about new This Is Horror products, podcasts, books, and all that good stuff ahead of the crowd.